I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
I’m kicking off with a novel that isn’t a conventional crime story, in that there’s no detective, but there are several heinous crimes, all of which are resolved by the end.
It’s not an exaggeration to say I envy anyone who hasn’t yet read Fingersmith. Unashamedly drawing on the sensation fiction of Wilkie Collins, it has a twist that saw me actually yelping out loud in surprise. But the book is so much more than that.
Starting in London, 1862, we are introduced to Sue Trinder, a young woman entrenched in the criminal underworld. When she agrees to join forces with the sinister Gentleman to hoodwink a young heiress, Sue has no idea exactly what she’s involving herself in.
This book has it all. It’s beautifully written, with phenomenal pace and intrigue, but also with a wonderful love story at its core. If you haven’t read it, what on earth are you waiting for?
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
Things in Jars is positioned at the meeting point of three Victorian obsessions: anatomy, entertainment, and spectacle.
It features Bridie Devine, a female detective tasked with finding a kidnapped child. But the child is not like other children. And Bridie, ‘the finest female detective of her age’ is not like other detectives. Not only is this an outstanding detective novel, at its heart lies a beautifully observed, genuinely moving, if somewhat unconventional love story.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
Ask anyone to name a Victorian detective and they’ll almost invariably say Sherlock Holmes.
Books written in the tradition of the Conan Doyle stories don’t always work, but The House of Silk smashes it. Holmes and Watson are drawn into a case of apparent stalking that soon descends into something much darker, involving the mysterious ‘House of Silk’.
The novel traverses London, from privilege to abject poverty. What Holmes and Watson uncover is shocking and draws back the veil on the darkest of secrets. Just as you’d expect with Horowitz, this is a real page-turner but it’s not afraid to examine the more depraved side of Victorian life.
For the first time in its one-hundred-and-twenty-five-year history, the Arthur Conan Doyle Estate has authorized a new Sherlock Holmes novel.
Once again, The Game's Afoot...
London, 1890. 221B Baker St. A fine art dealer named Edmund Carstairs visits Sherlock Holmes and Dr John Watson to beg for their help. He is being menaced by a strange man in a flat cap - a wanted criminal who seems to have followed him all the way from America. In the days that follow, his home is robbed, his family is threatened. And then the first murder takes place.
Do not be put off by the fact this book, and the others in the Sally Lockhart quartet, are often marketed as children’s/YA literature. Like the best of fiction, they transcend categorisation.
The Ruby in the Smoke introduces us to the indomitable Sally Lockhart, orphaned and forced to uncover the secret behind her father’s death. She’s feisty and fiercely independent, navigating her way in a world where the chips are stacked against her. Pullman provides us with an impeccably researched foray into the 1870s, all wrapped up in a hugely entertaining read.
The first book in Philip Pullman's classic SALLY LOCKHART quartet in a beautiful new edition to celebrate the 30 year anniversary.
Soon after Sally Lockhart's father drowns at sea, she receives an anonymous letter. The dire warning it contains makes a man die of fear at her feet. Determined to discover the truth about her father's death, Sally is plunged into a terrifying mystery in the dark heart of Victorian London, at the centre of which lies a deadly blood-soaked jewel. Philip Pullman's ever-popular, action-packed Victorian melodramas are rejacketed for the bicentenary of Charles Dickens in 2012.
I love fictional reimaginings of actual crimes, and the obvious choice within such a category is Margaret Atwood’s Alias Grace, but Elizabeth Haynes’ book might be one that’s slipped under your radar.
In 1843 Harriet Monckton was found murdered from prussic acid. She was just 23 years old, and six months pregnant. Haynes presents a compelling portrait of Harriet’s final hours, seen through the eyes of several suspects, each of whom wants her dead.
It’s not just a gripping narrative, it’s a meticulously-researched insight into Victorian life, and just how difficult it could be for a young woman.
From the award-winning and best-selling author of Into the Darkest Corner comes a delicious Victorian crime novel based on a true story that shocked and fascinated the nation.
On 7th November 1843, Harriet Monckton, 23 years old and a woman of respectable parentage and religious habits, is found murdered in the privy behind the chapel she regularly attended in Bromley, Kent.
The community is appalled by her death, apparently as a result of swallowing a fatal dose of prussic acid, and even more so when the surgeon reports that Harriet was around six months pregnant.
I wrote The Tumbling Girl. The novel is set in Victorian London. Minnie Ward, a feisty scriptwriter for the Variety Palace Music Hall, is devastated when her best friend is found brutally murdered. She enlists the help of unconventional private detective Albert Easterbrook to help her find justice. Together they navigate London, from its high-class clubs to its murky underbelly, although sometimes it’s difficult to tell the two apart. The first of the sharp, witty Variety Palace Mysteries, The Tumbling Girl sees an unlikely duo team up to solve a grisly spate of murders.
Kelly Simmons has been published in 12 countries by Simon & Schuster and Sourcebooks, and her widely praised novels are frequently compared to Big Little Lies.
Her new book, The Off Season, is set on the tranquil shores of the Chesapeake Bay, where headstrong thirteen-year-old Savannah bursts into the local police department, insisting her mother’s drowning was anything but an accident. She’s forced to tangle with the languid Bay police department as well as the year-rounder adults and teens who might be complicit not just in her mother’s death but a decades-old cold case.
For fans of Lisa Jewell and Liane Moriarty. Published in 12 countries by Simon & Schuster and Sourcebooks, Kelly's widely praised novels are frequently compared to BIG LITTLE LIES.
THE OFF SEASON explodes on the tranquil shores of the Chesapeake Bay. A headstrong thirteen-year-old girl insists her mother’s drowning was anything but an accident. She’s forced to tangle with the languid bay police department as well as the year-rounder adults and teens who might be complicit not just in her mother’s death, but a decades-old cold case. With echoes of GONE GIRL and STAND BY ME, it’s part crime, part…
